Showing posts with label Savage Worlds. Show all posts
Showing posts with label Savage Worlds. Show all posts

Saturday, 7 April 2012

Other Worlds

Stuart has a good post up here in which he digs out a number of historical examples of people of African origin running about mediaeval Europe, thus challenging those who don't want to include such characters in their fantasy role-playing games to come up with a better excuse for the omission than historical accuracy. It's a good, simple post that gets right to the heart of the matter and should wake a few people up.

The thing is that I don't see why Stuart needed to make the point in the first place. I've seen similar arguments come up before about technology levels; whether such and such society would have access to such and such weapon or armour or whatever. If we were setting our games in Northern France in 1450, then I could see the value in pursuing such detail, but for the most part we're not. We're playing in Greyhawk, or Aebrynis, or Titan; I don't see why it's important to know whether crossbows were available in 1450 when said crossbow is going to be used against a mind flayer, a creature I don't think was ever common in Europe, but then I only got a B in my history GCSE.

I know some people do care, and that's fine, but it's not something I think I'll ever understand. It's a fantasy game, it may look like mediaeval Europe from a certain angle, if you squint, but it's not, so go wild and include whatever you like. Exclude whatever you like too, of course, but don't try to hide behind historical accuracy when you do it.

Anyway.

Having put The One Ring aside for a rest, we've been playing a bit of Warhammer Fantasy Roleplay, set in the Border Princes, the Warhammer World's version of the Balkan region. We've had one session of actual play so far, and I don't know how long we'll play before something new and shiny comes along, but it's been good fun so far, as WFRP tends to be.

It's not quite new -- although it could be argued that "shiny" is an appropriate adjective -- but I've made a bit of progress on my conversion of Dark Sun to Savage Worlds; Savage Sun seems a fitting title. I've got some character generation rules worked out and I think I've come up with a good way to emulate the setting's magic system; my conversions are rather lean, simple even, but seem to do the job. I think my experience of converting Eberron over has helped me understand what's necessary to transfer to maintain the original feel of the setting, rather than fuss about copying every single detail. I need to put the conversion notes together in one place -- at which point I'll post them here -- and come up with a starting adventure, and then Savage Sun will be ready to go!

Wednesday, 28 March 2012

There and (Maybe) Back Again

After a few weeks of giving it a try, we've decided to put The One Ring aside for a while; I was running the game, and I do have to admit to pressing the issue a little, as I was becoming more and more dissatisfied with it. I do like the general design of the rules, as it's a clever and robust system, but it also feels a little detached, as if the players are not in direct control of their characters. This is evident to some extent in the abstract combat system -- which I liked more than the players did -- but is even more prominent in the travel rules; they are very good rules but they feel more like a strategic board game than anything, and while I'm confident that we could in time get used to this feeling of detachment, the game has another problem that has prevented us putting in that time.

From the perspective of the GM, the game seems quite limited in scope. Although The One Ring comes with a large map of the Mirkwood region, the GM's book contains very little information on what lurks under the eaves of the great forest, and seems to expect the GM to either make up the rest, or have extensive knowledge of Tolkien's works; from my I admit limited knowledge of the canon, it seems as if there never was much detail on the Mirkwood area. So what's the problem? Why not just make it up? Well, the challenge is in inventing new elements while maintaining the tone of Middle-Earth -- it's not the kind of setting where a hex can be populated with 2d12 kobolds -- but at the same time keeping things a bit more interesting than "oh look, more orcs!" I struggled with that challenge -- a hunting expedition for a psychedelic human-owl hybrid thing was, in hindsight, perhaps not in keeping with the good professor's works -- and the GM's book was of little help. Perhaps indicative of the haphazard GM support is the fact that the two introductory adventures -- one in the book and one available online -- are set at opposite ends of Mirkwood, making their integration into a single campaign rather difficult.

All that said, Cubicle 7 have at last announced their plans for expanding the game and it's good to see that they're going to provide some more adventure material, including two campaigns; perhaps when these are released, my group will return to Middle-Earth and give things another go. In the meantime, we're investigating other options while our regular group is disrupted by summer trips and the like, and looking forward, we've decided to try the remake of The Enemy Within when it comes out, albeit with WFRP2, since co-author Graeme Davis says it should be easy to convert back to the older ruleset. I've also got a half-formed inclination to run TSR's classic sword-and-sand Dark Sun setting under Savage Worlds but I often come up with ideas of that sort -- such as an ill-fated attempt to run a Ravenloft game using the SAGA system -- and not all of them make it to the table. I think a bit of post-apocalyptic swords and sandery might be quite fun, so I'm keen to give it a go, unless the boxed set is a complete turn off.

Friday, 1 July 2011

Star Wars Plus

A while ago I mentioned my interest in running a Star Wars game, and also noted how the oppressive weight of that franchise's canon has more or less scared me off. I had considered the Knights of the Old Republic era as a more friendly gaming environment, but I have since managed to read the relevant campaign supplement for Wizards of the Coast's version of the game, and it didn't strike me as particularly evocative, presenting the setting as that same old sprawling, intimidating expanded universe, only with the dates cranked back a few thousand years.

I realised that I was after something with the energy of the first film and the old Marvel comics, and then the solution to my problem became apparent.

So Star Wars Plus then. The general idea is that only the first film is canon, and then everything else is fair game. So Darth Vader killed Luke Skywalker's father, Luke and Leia needn't feel bad about liking each other in that way, and Han shot first. I have not yet decided if Jabba the Hutt is a fat bloke in a fur coat.

This approach should eliminate a lot of the setting's accumulated cruft while retaining an essential familiarity, allowing for a bit more freedom of play while still being Star Wars; if the players kill Luke Skywalker -- accidentally of otherwise -- it's not going to affect the events on Cloud City or Endor, because those events may not necessarily happen.

So that's the idea. I'm still a long way off having this ready for play -- I don't even have a system for it yet, although Savage Worlds is a frontrunner -- but at least I now have a solid core idea from which to work.

Sunday, 26 June 2011

Savage Eberron IV: The Caverns of the Kobold King

The session began with the players getting into a debate about what to do with the young Jenna ir'Wynarn; the half-ogre bard Jon Loger and human duellist Fibulon wanted to press on with their plan to form an underground organisation around Jenna's claim to the throne of united Galifar, while Galaxy Jones was undecided and the dwarf artificer Stones McGuffin wanted nothing to do with any of it and just wanted to go looking for adventure. As it turned out, adventure found them.

Edie Stone -- occasional player-character and their employer -- told them that she'd been contacted by Morina Wood, a Sharn resident whose father was missing. The team headed off to speak to Wood, finding her in a somewhat disreputable tavern, engaged in a drinking competition that she seemed to win with ease. Any suggestion that I lifted this scene straight from a classic adventure film would be completely unfounded, obviously.

Morina Wood explained that he and her father Roderick were archaeologists and that they often went on expeditions abroad to explore ancient ruins and bring back artefacts so that modern society could better understand its past; it was on his most recent trip, into the monster-ruled nation of Droaam, that the elder Wood made his last contact. His plan was to cross the border between the coast and the southern edge of the Greywall Mountains, and Morina was to travel later by the more traditional -- and safer -- route and meet him in Greywall itself; Morina arrived to discover that her father had indeed crossed the border, but was lost somewhere in the southern part of Droaam. She offered the player-characters three thousand gold pieces if they could bring back news of Roderick's fate.

They accepted and spent a day or so looking for clues and following leads in Sharn, running into the fixer Fennifee, who appeared to be a vampire but was revealed -- after some cajoling and threats of violence -- to be a poser. They discovered that the Woods were less into academia and more into grave robbing for cash, and also found out more about Roderick's expedition; he'd taken a group of mercenaries with him as protection, and Fennifee was also able to provide a fairly detailed plan of the expedition's route.

The team felt that they had exhausted their leads in Sharn, and hired horses and a cart for the journey into Droaam. Just before the border they were stopped by a group of Breland soldiers who inspected their paperwork, and it seemed as if there was going to be a fight -- players being players -- but the episode passed without violence, although the soldiers suggested that the team either turn back or take a safer route into Droaam.

Moving on, they crossed the border and picked up Roderick's trail, which was later crossed by another large group of tracks. The second set seemed to be newer and to be heading off to the north, while Roderick's carried on into the west, suggesting that the two groups had not met; still, there was some brief discussion over whether to follow the new trail, and Galaxy Jones took flight on his glidewing Trixie to see if he could get a better view of things from the air. He saw that the second group were still quite close and seemed to be made up of around twenty to thirty gnolls, marching at great speed northward. The team were aware that gnolls made up a large part of the military of Droaam, and so decided to stay out of their business and carry on following the Wood expedition.

They soon came across evidence of a camp, and so decided to rest for the night in the same spot. During the night they were assaulted by small robed figures wielding daggers, and despite the hard-of-hearing McGuffin's inability to wake up, the team captured or despatched their assailants. The would-be-assassins turned out to be kobolds and were no opportunistic bandits, as they claimed that they had been sent to do away with the player-characters. The team also learned that Roderick and his party had also been ambushed further along the trail, and had been taken back to the kobold lair to be fed to "the Big Big Boss"; some of the more paranoid members of the group wondered if the Big Big Boss might be a dragon, but their captive assured them that he had no wings, which didn't seem to make them feel any better.

The players did not treat their captive well, and this was one of the stranger parts of the session for me, as they were quite happy to torture the poor thing to the point of death, heal him with magic, then do it all over again. Perhaps it was fatigue, or blowing off steam at the end of a long week, but it all seemed a bit unnecessary to me. Since we're using Savage Worlds and not D&D proper, there's no alignment -- not that I'd use alignment even if I were running D&D, but that's a subject for another day -- and Eberron as a setting was designed to be far less tied to that moral framework, but even so this whole sequence struck me as a bit off and I found it quite uncomfortable.

The team managed to glean the location of the kobold lair from their captive and began to plan their assault. A quick flyover from Galaxy Jones revealed that the lair was a cave complex within a butte and that there were entrances both at ground level and on the top; despite the presence of a couple of guard stations, and the inherent difficulty of reaching the summit of the butte unseen when only when party member had the power of flight, they decided to attack from the air.

They approached with relative stealth but once again it seemed as if they were expected, and although the kobold guards retreated, the team's path into the complex was blocked by an enormous red kobold they took to be the Big Big Boss; a brief taxonomical discussion followed as the players pondered whether a really big kobold wasn't just a dragonborn, but then he started hitting them with his flaming meteor hammer and that soon stopped all talk of science.

The Big Big Boss was big -- obviously -- and strong, and also had some magical abilities, throwing up a ring of fire around the edge of the battlefield and reflecting the energy from one of Stones' inventions right back at the artificer, but even so he did not last long against a combined assault by the players. Jonark's mind-affecting magic is quite potent against even the strongest creatures and did much to soften the target for the others, aside from poor old Stones McGuffin who spent most of the fight trying to catch up with the others after a misunderstanding between myself and Stones' player regarding relative distances. Though I loathe battlemaps, I need to find a middle ground so that such confusion doesn't arise again.

As was inevitable, the Big Big Boss fell but laughed at the player-characters as they struck the final blow, something which didn't seem to faze them one bit, although this laissez faire attitude would catch up with them later. They explored the inside of the butte -- no sniggering at the back -- discovering a beaten and malnourished minotaur chained up in one cave, and a midden in another; after some discussion, they healed and freed the minotaur, and digging through the kobold refuse the party found what was left of Roderick Wood and his soldiers.

Considering their job done, the player-characters fled the cave complex and headed back to Sharn. Upon arrival, and wanting a bath and a meal even more than that three thousand gold, they discovered that their home base had been razed to the ground and that Edie and Jenna had disappeared.

Friday, 17 June 2011

It Is Better to Give Than to Whine, Moan and Fall Out With Your Friends

Everyone needs to calm down and stop getting so uptight about something which is supposed to be fun.

Here are some more monster tokens to print and cut out. These are all from my most recent Savage Eberron game, and include a dullahan, some dwarves on snowboards, a dwarf warrior, a dwarf wizard, some ogres, some city guards -- from Sharn, although they can fit in anywhere, as only their shield emblem is specific to the locale -- and of course the AVALANCHE ELEMENTAL. Also included are the alert tokens I mentioned in the session report; these can be used as action points or condition markers.

Savage Eberron III Cast of Characters (1.6mb pdf)

Also still available for download are various types and sizes of elementals:

Elementals (3.5mb pdf)

And some minor undead:

Lesser Undead (970kb pdf)

If you have any suggestions for improvements, or a wishlist of creatures to include in future releases, please do leave a comment.

Saturday, 11 June 2011

Savage Eberron III: The Secret of the Forgotten Vault (Part 2 of 2)

Part one is here.

The party dipped into the savings of Stone Investigations, plc in order to buy lightning rail tickets for everyone, and made the journey in about four days; they spent the rest of the week drinking and gambling and ordering vast quantities of room service comestibles while staying in a fancy Krona Peak hotel, before dragging themselves, bleary-eyed, to the meet. There they encountered a nervous young dwarf who took them back to what seemed like an abandoned clockmaker's shop down a quiet side street.

The dwarf had not heard of any Vault 13, but suspected that the Jhorash'tar might know and arranged for the party to meet with the orcs the next day.

He took them up into the mountains, a difficult journey which ended with everyone getting a fatigue point — it was only a minor dent in their abilities, but for some reason they took it quite seriously — and found themselves surrounded by a group of orc archers. The orcs claimed that they had not destroyed Vault 13 and that in fact it still stood, and they agreed to take the party to the vault's general location, although they made it clear that they didn't trust the party enough to take them to the vault itself. On the other hand, they did give the characters a set of skis each, in case they needed to make a quick getaway. The foreshadowing was so heavy at this point, you could call them Chekov's skis.

Arriving at the vault, the party found a vast sealed stone door and a small guard hut built into the mountainside. Tossing stealth and subtlety over the edge and into the valley far below, they assaulted the hut and slaughtered the old dwarf and his blink dogs within, before moving on to the vault itself. It was of course sealed by magic, and the group remembered from the Kundarak tour that such doors could be opened only either by a dragonmarked member of House Kundarak, or a blood relative of the vault lessee; they weren't sure of the latter, and their best guess — young Jenna — was back in Sharn, so after some experimentation, they dragged the dead dwarf guard over to the door, pressed his cold dead hand against the door, and were relieved to see it open.

Beyond were stone steps heading down at a steep angle into the darkness. Jon the bard decided to ski down, only just catching himself before the stairs ended at the edge of what seemed like a bottomless void. The rest arrived — on foot and much later — to find a large stone cube suspended in the blackness, held there by some kind of magic, and in its side another door. Galaxy flew over on his glidewing Trixie and inspected the door, discovering some sliding brass panels inscribed with circles, and another panel showing the panels in a certain arrangement. This was my attempt to challenge the players not the characters, by throwing an old-school logic puzzle at them, and it worked quite well with them huddling together to throw ideas around.

After a couple of attempts they solved the puzzle and the door opened to reveal an inky, unnatural blackness.

This turned out to be a magical effect similar to a portable hole, and on the other side was the true vault, filled with sealed crates. Trixie ferried the party over one by one, and Stones and Jon detected a faint magical aura in the vault, theorising it to be some sort of stasis field. The team opened a random sample of the crates, discovering many fine works of art, all of which were either of Jenna, or included her alongside the last king of united Galifar, Jarot ir'Wynarn.

The team decided that these pictures were evidence for their theory that Jenna was indeed an unknown scion of the ir'Wynarn royal family, and furthermore, given the lack of other children in the images, and the few dates they could find, that Jenna was the oldest of Jarot's children. There followed a long and fascinating discussion between the player-characters as they decided what to do with this new evidence, and while there was no consensus on their long-term plan, they did at least agree to take some of the art with them. The team then made the long climb out of the vault, ready to return home.

Which is when I threw the ski chase at them.

They climbed out into the sunshine with Galaxy taking to the air to see if their delve had been detected, and saw a large group of dwarves armed with crossbows and snowboarding down the mountainside towards them. Galaxy remained on watch, the rest strapped on their skis and they all made a break for it.

I ran this as a chase, and it worked quite well, although it took a little time to adjust to the more abstract positioning involved in the chase rules. I threw in some obstacles and about three rounds in, some of the team heard the tell-tale rumbling of an avalanche, something they'd feared from the moment they first climbed into the mountains. Except that Galaxy, from the air, saw the tumbling wave of snow swerve around obstacles, and then they all knew I wasn't going to settle for a boring old avalanche.

So the second half of the chase involved the remaining crossbowmen, a group of increasingly battered and bruised player-characters and a dwarf wizard riding atop an AVALANCHE ELEMENTAL. Asap the half-orc did a runner and skied off into the distance just before the avalanche made its appearance, so Seb had to decide whether to remain safe or return to help his friends; he chose the latter and got bashed about by the elemental, thus revealing the character's weak spot, as Seb had put the majority of his points into offensive capabilities and a high Toughness, but struggled for a number of turns to remove a single Shaken condition due to his poor Spirit. Stones and Jon engaged in a magical duel with the wizard, while Fibulon attempted to pick him off with his crossbow and Galaxy — the only member of the team able to reach the magician — dove into mêlée with him.

In the ensuing battle, Galaxy feared he might lose another mount, and Jon took some heavy wounds; every Benny at the table was spent but the player-characters managed to get the better of the dwarves right at the end, and as the avalanche elemental disintegrated around them, the party made their escape.

Like the climactic battle in the previous adventure this fight had an epic feel, but it was much less of a grind than the tussle with the manticore. Part of this, I think, was because the team had a clear goal — to escape — and so their tactics were more focussed, and the chase structure worked well to add tension and excitement; the chase rules are going to be changed for the upcoming Savage Worlds Deluxe Edition, but I have no complaints about the existing set. After the manticore encounter my players said while they enjoyed it, they felt a bit powerless towards the end, but this time they all seemed to enjoy the big battle, and the adventure as a whole; I also had great fun, and any misgivings I had going into the second session were long forgotten by the end.

Thursday, 9 June 2011

Savage Eberron III: The Secret of the Forgotten Vault (Part 1 of 2)

This scenario had been brewing for a while as I waited for a gap in our gaming schedule; as a result it went through a number of rewrites as time went on, resulting in enough material for two sessions. Dave had long since returned to the sweeping tundra of Canada by this point, but we were rejoined by Manoj and his half-ogre vuvuzela-toting bard Jon Loger. Returning from last time were Stuart with his duellist Fibulon, Ben with the dwarf artificer Stone McGuffin, and Rick with both his private detective Edie Stone and the halfling dinosaur rider Galaxy Jones. Also returning was Sebastian, although he'd generated his own character this time, a half-orc battering ram called, I think, Asap.

Last time, the team had discovered that the mysterious "Jewel of Galifar" was in fact a young girl who seemed to have been held in a magical stasis for the entire duration of the Last War, and that her name was Jenna ir'Wynarn, which would make her a member of the pre-War royal family, perhaps even the heir to the throne of a united Galifar.

Jenna could remember nothing more than her name, but this name did not appear in the historical record, nor was there any known reference to a sixth child of the ir'Wynarn dynasty. Determined to find out more, the group got in touch with an academic at Sharn's Morgrave University, who promised to research the matter if they would track down the last resting place of a notable figure from the Last War.

The session began with the player-characters having found said resting place, and discovering that the Butcher of Breland was not quite as dead as was thought. I was hoping to start the session with a bang, but Asap waded in and took out the undead monster with one swing of his blade. To be fair, while the Butcher was powerful, I didn't want to kill the party off in the first scene, so he was only an Extra; even so, I was not prepared for quite how combat-tuned the half-orc was, although this specialisation would come back to haunt him later on.

After this brief warm up, the team returned to Sharn with the remains, and in return the professor told them that while he could find no record of Jenna ir'Wynarn in any historical document, he did find a reference to the iron casket in which she was found, in the journal of a servant of the ir'Wynarn household. The journal did not go into much detail, but it did suggest that the casket was due to be taken to a "Vault 13", with the number written as a dwarven rune.

They suspected that this was a reference to one of the vaults owned by the dwarven banking guilds of the Mror Holds, in particular the dragonmarked House Kundarak.

As narrative convenience would have it, the Bank of Kundarak in Sharn was due to host a dinner party for prospective new customers, so the party pulled some strings to get on the invite list. Their plan was to see if -- with the wine flowing -- they could get some information from Kundarak's employees and if not, take advantage of the distraction of the party in order to sneak about and look for clues.

I came up with a little mini-game to handle this, based around an alert level that would rise or fall depending on how stealthy characters were, whether the party-goers managed to cover for the absence of those sneaking around, and so on. I made counters with little Metal Gear Solid exclamation points on them and everything.


It didn't work very well, in part because I had expected that only one or two of the group would leave the dinner party to skulk about, only for the whole lot of them to tramp around; Jon even blasted his vuvuzela a couple of times as "a distraction", so they were anything but stealthy. In all fairness though, the mechanics of the mini-game weren't very rigorous either, so I can't really blame the players for breaking something which didn't work in the first place.

Although it was a bit of a disaster from my perspective, the team did manage to get the information they needed, learning that Vault 13 did exist, but was emptied in the year 867. The official House Kundarak story was that the vault was destroyed by the Jhorash'tar -- an indigenous orc revolutionary group -- so the team decided to follow that lead. They found a bar for Jhorash'tar sympathisers in one of the more middle class areas of Sharn and started asking the orcs inside about the group, only to discover that the local contact was an elf. I thought this was a bit of a corny double-bluff when I wrote it, but they did all seem generally surprised.

Their discussions were interrupted by a raid by the Sharn city watch, who seemed to be looking for the mysterious elf. The group decided to help him escape, getting into a brawl with the guards and subduing them without loss of life. In return, the elf promised to put them in touch with the Jhorash'tar; he gave them an unusual blue stone and told them to go to Krona Peak in the Mror Holds in a week and look for a person holding an identical stone, who would then take them to the Jhorash'tar.

We ended the first session there, not quite on a cliffhanger, but good enough. I was quite disheartened by the first session, as it didn't seem very exciting, the players seemed distracted and the stealth sub-system crashed and burned. To be honest, I wasn't looking forward to running the second half at all.

Part two is here.

Tuesday, 7 June 2011

Savage Speculations

Chaosium's Basic Role-Playing system is my great love, and while Savage Worlds comes a distant second, it still dominates the pursuing pack. I've had great fun running an Eberron campaign under the rules, and I expect it to continue for a while yet, but even so I'm feeling a little stifled by all the fantasy gaming my group seems to be doing.

We've got a regular Pathfinder game on the go, there's Savage Eberron now and then, and Ben's got this big plan for a collaborative sandbox campaign again set in a fantasy realm. These are all good fun games, and I like fantasy as much as the next bespectacled geek, but sometimes I want my character to be able to lay down a burst of suppressive fire or jump off a building on a motorbike. We did have Rogue Trader for that kind of stuff, but I'm not sure that campaign's going to make a return, and anything cyberpunk is a no-go alas. So I've been thinking about more modern or scifi games I could run, using Savage Worlds as the engine.

Savage Star Wars was my first thought, a scifi-fantasy hybrid to be sure, but with enough droids and spaceships and blaster guns to provide a contrast to all the normal sword-swinging of our weekly games. The problem I always had with Star Wars as a gaming setting was that the plot had already been written and cast a long shadow across attempts to run a game; I know others have succeeded, but it was too much of a strait jacket for me.

This was long before Bioware came out with Knights of the Old Republic and in doing so introduced a proof-of-concept setting which had all the right Star Wars bits but was not as beholden to existing canon. Seeing potential here, I went online to see if I could get a second-hand copy of the Old Republic Campaign Guide, saw the price tag of £200, and then gave up on the idea.

Savage Sabre Team/Savage Counter-Strike/Tom Clancy's Savage Six
and
Savage Dozen/Kelly's Savages/Inglourious Saveges/Where Savages Dare
Years a go I played in a BRP-based game in which we played the parts of SAS operatives dealing with a hostage situation. It didn't last long, as the GM didn't think BRP was deadly enough as it was and doubled all weapon damage, so our team was all turned into red mist within minutes. Even so, it has always stuck with me as a viable game concept, and it's something which would work with Savage Worlds, although any such game would be more on the pulpy side, so it would perhaps be better off used to emulate those brilliant 60's and 70's WWII adventure movies.

This one could be a winner, but it does have some potential problems. There is a definite danger of it falling into a formulaic mission-based structure, which may not be a problem but might chafe for some players. There's also the possibility that it might be a bit mundane for some tastes, as I'd be keen to avoid the supernatural, although pulling in some Bond-type silliness or piles of Nazi gold might well alleviate that.

It's not something I've explored, but there's perhaps some potential in throwing this idea into the future, and running some sort of Space Marines or Starship Troopers type game.

Savage Feng Shui
I love Feng Shui as a setting, but the rules seemed to me to get in the way of the fast-and-loose feel they were trying to create. Savage Worlds has the right feel and the pace is just right, so this is one idea with which I've been toying for a while. It's another hybrid setting, but with plenty of guns and car chases to scratch that modern gaming itch, and it's broad enough for anyone to find something they like within. The only potential problem I foresee with this is that while Savage Worlds covers almost everything Feng Shui did, there's one curious omission in that it has no martial arts rules to speak of -- beyond the wonky ones from Deadlands -- so there would be some work needed to include this rather essential element.

Savage Cthulhu
As a BRP-diehard, it would feel like a betrayal on a cosmic level to run a Mythos game in anything other than Call of Cthulhu -- I had to shower for three hours after playing Trail of Cthulhu -- but I could see Masks of Nyarlathotep working quite well in a more Savage style. I'm just not sure I could live with myself afterwards.

Savage Final Fantasy
Bringing in some more technological elements into the bog-standard fantasy setting might make all the difference, but I'm not sure it's getting far enough away, so this is the least developed of my ideas. I'm also not sure it's worth emulating a video game when one can just play the video game, but that's a longer subject for a later post. This one is probably a non-starter.

So there you have it. I'd like to get away from fantasy, not out of any dislike for the genre, but just because we're already doing so much of it and I'd like some variation in my gaming. Feel free to chime in with any suggestions and while I've focussed on Savage Worlds here, I would be more than happy to have a look at any BRP-related recommendations.

Saturday, 5 March 2011

Savage Eberron: Dragonmarks (Part 2)

Following on from the first part, here's the second instalment of my rules for emulating Eberron's dragonmarks in Savage Worlds. This time, I'll be looking at the individual marks and their game effects.

I've followed the general advice given by the Savage Worlds core book and have tried to use existing rules rather than create new ones. As such, most of these abilities are covered in the Savage Worlds Explorer's Edition (SWEX); a smaller number come from the Fantasy Companion Explorer's Edition (FCEX) -- which I'd recommend to anyone running a fantasy game for the system -- and two are borrowed from the Hellfrost Player's Guide (HFPG).

Each mark has two abilities: one general Trait bonus that is always active, and a special spell-like ability that can be activated at least once per day.

MARK OF DETECTION
  • +2 Notice.
  • Detect/Conceal: as Detect/Conceal Arcana (SWEX, p89), except limited to a specific object, which must be specified at the time of activation.

MARK OF FINDING
  • +2 Tracking.

...I must admit I failed to find an existing Savage Worlds equivalent to the original Mark of Finding, and I am reluctant to simply build one. If any Savage Worlds fans out there have a suggestion, do let me know in the comments.


MARK OF HANDLING
  • +2 Ride.
  • Beast Friend (SWEX, p86).

MARK OF HEALING
  • +2 Healing.
  • Healing (SWEX, p89).

MARK OF HOSPITALITY
  • +2 Charisma.
  • Feast (HFPG, p88).

MARK OF MAKING
  • +2 Repair.
  • Reconstruct: as per Healing (SWEX, p89), except it only works on items like barriers, armour, weaponry, and so on. It also works on warforged and constructs.

MARK OF PASSAGE
  • +2 Survival.
  • Speed (SWEX, p94).

MARK OF SCRIBING
  • +2 Charisma.
  • Speak Language (SWEX, p93).

MARK OF SENTINEL
  • +2 to resist Taunt/Intimidate actions.
  • Armour (SWEX, p86).

MARK OF SHADOW
  • +2 Streetwise.
  • Darksight (FCEX, p33) or Obscure (FCEX, p40)

(One might want to split the two powers between Houses Phiarlan and Thuranni, but it might be more interesting and organic to not do so.)


MARK OF STORM
  • +2 for Agility tests involving balance.
  • Environmental Protection (SWEX, p90).

MARK OF WARDING
  • +2 Notice.
  • Lock/Unlock (HFPG, p90).

Tuesday, 1 March 2011

The Ministry of Blades : The Madness of Angels, episode 5

Prentiss flattens a steward; Curruthers shoulders the load.

Played

3rd February 2011.

Dramatis Personae

Lady Antonia deVore - a Heavily-armed Aristocrat (player not present).
Captain Benson Curruthers - a Military Policeman.
Doctor Zephaniah Pleasant - a Sinister Surgeon.
Miss April Sharpe - a Self-taught Inventor.
Jack Prentiss - a Dodgy Pedestrian.
Mr Erasmus Rooke - the Boss.
Henderson - a Dedicated Cryptologist.
The Chief Verger of St Paul's Cathedral.
Several Members of Staff at the Capitoline Club.
Lewis - an Unsuccessful Burglar.

Plot

Following their rebuff by the President of the Capitoline Club, Captain Curruthers and Prentiss determined to enter the premises by other means, opting for the hitherto-unheard-of disguise of workmen making a delivery. Acquiring some work clothes from a nearby shop, along with a long crate, they returned to the rear entrance to the Club. Knocking on the door, they informed the steward who opened it that they had a delivery for the Very Reverend Greenfield. When the confused young man disappeared off to confirm this, they sidled in and, using the crate as a cover, headed towards the front of the building. Finding their way up to the first floor (lounges and games rooms) and then the second (bedrooms), they were caught trying door handles by one of the stewards. Their attempt to explain that they were trying to make a personal delivery was justly ignored as they were ordered back downstairs. Prentiss lost interest and knocked him out. They dumped the unfortunate man in one of the bedrooms they’d discovered, taking his keys, but further explorations proved pointless as they were unable to discover anything new.

Curruthers and Prentiss returned to the Ministry just as Miss Sharpe and Dr Pleasant returned from their own excursion. Meeting with Lady Antonia, they found she had continued her research and had turned up some interesting information concerning Wren’s interest in sacred geometry, although it seemed he was less interested in using it for power, more as an architectural aid. They discussed the day’s discoveries and learnt of the collapse of another Wren church, before being interrupted by the somewhat manic appearance of Henderson, waving some paper about. It transpired that he had decoded some of Greenfield’s notebook, having solved a kind of enciphered shorthand. He had broken his usual habit of waiting until he had finished the whole job before reporting the results, realising that this was quite urgent. Looking at the most recent entries first, he had discovered that Greenfield had been suspicious of the activities of one Dr Jacob Sorenson, the Head Choirmaster, who had been appointed about six months earlier. While Dr Sorenson had acquitted his duties as Choirmaster admirably, he had also taken a very intense interest in the structure and history of the building. He was forever being encountered in obscure corners of the galleries, taking rubbings or drawing sketches; once or twice, he was found knocking on wooden panels and listening to the echoes. He did nothing that was actually inappropriate, at least by the [INDECIPHERABLE]'s standards, and Greenfield had been advised to wait and watch by his colleague 'ER', but then his name turned up authorising a docket for work on the walls: Greenfield had been a bit bemused by this, as that should have been the Verger's responsibility. The last entry in the diary mentioned his plan to investigate the site of the works after the masons had gone home to see if there was anything odd about them.

The team now realised that Greenfield had merely discovered the plot, not instigated it.

With time ticking on to their appointment with the employer of Lewis, they collected the luckless criminal from his cell and headed for the indicated tavern. Upon entering, they seated themselves around the lounge so as to have all fields of view covered. Curruthers then became aware that a familiar figure was trying to catch his attention from an inner doorway: it was Erasmus Rooke. Bringing them all into the private room, he paid off Lewis and sent him home. Sitting down, he explained that he had been the one that hired the burglar. Rooke and Greenfield, it appeared, were both members of a group dedicated to keeping the world safe from supernatural dangers, although Rooke refused to give any more information on this. Realising that Curruthers’ investigation would lead him to search the Dean’s home, and believing that the regalia associated with the organisation would cause an unnecessary and pointless diversion, he had arranged to remove them. Unfortunately, Lewis had been caught before he could finish the job, instigating the very situation his employer had been trying to avoid. With the most recent reports from the team indicating the scale of the situation, Rooke had decided to reveal what he knew. Between his information and what the team had discovered, they figured out the story.

It appeared that Sorenson had realised that an archangel was bound to the cathedral, in order to prevent its elaborate structure from collapsing. That archangel was also lending its strength to the rest of Wren’s London churches. Over two centuries of captivity, however, the archangel had become somewhat insane and was trying to escape. Sorenson wanted to release it and bind it to his own service, which would both collapse the churches and give him great power - assuming the archangel didn’t break free and lay waste to London first.

The team decided it was time to track down Sorenson. Heading immediately for the Cathedral, they contacted the Chief Verger, discovering that Sorenson had vanished the day the Dean died. Obtaining his home address, they gained entry to the premises, finding that they had been deserted. Curruthers did discover a map, with a crude pentagram drawn out on it, centred on Lincoln’s Inn Fields.

Suspecting trouble, they gathered weapons and headed for Holborn becoming aware of choral singing as they arrived. Venturing into the park, they saw torchlight at the bandstand, which was surrounded by choirboys, while two hooded figures were chanting in the bandstand itself.

Finding their lines of fire obstructed by apparently innocent choirboys, the team closed for hand-to-hand combat. Pleasant did his best to put the choirboys, who appeared to be possessed, out of the fight bloodlessly, while Prentiss found himself engaged in a fistfight with the larger of the two hooded figures. Curruthers brought down the chanting Sorenson with a double shotgun blast, in spite of his magical protection, but it was too late, as a misty figure began to form over the carved stone block at the centre of the ritual. Miss Sharpe’s orgonator now became useful as it wore down the spirit’s still coalescing physical form, allowing Curruthers to disperse it with a final blast from his firearm.

With the choirboys apparently safe and both villains under control, the team returned to headquarters with the stone, apparently the focus for the spirit’s bindings. The heroes passed on responsibility for the stone to Rooke who ultimately returned it to the church, in order to shore up the cathedral until it could be strengthened physically.

Notes

This episode started out fairly rushed, as I had promised to finish the whole thing this week. This meant that a number of investigations had to be completed in quick succession and I was worried it wouldn't be possible. Luckily, despite the vast amounts of exposition, the players put the details together very quickly. The final fight was nice and quick.

Next time, my investigative plots will be better planned: I'd got so far with this one, then dropped the ball, having to play catch-up. Given that the original idea was to not railroad the players, it came dangerously close towards the end.

Monday, 28 February 2011

Savage Eberron: Dragonmarks (Part 1)

Ever since I got it in my head to run the Eberron setting using Savage Worlds I knew I had to one day try to fit dragonmarks into the game. It was fortunate that none of the players requested a dragonmarked character, which has allowed me some extra time to come up with the following rules. These are the general guidelines for using dragonmarks in Savage Eberron; specific rules for the individual marks will appear later.

Dragonmarks are purchased as Edges, per the usual Savage Worlds rules, and there are four varieties: Least, Lesser, Greater and Aberrant. A character selecting an aberrant mark cannot ever choose another type of mark, nor can a bearer of a standard mark ever pick the aberrant mark.
Similarly, those with a standard mark chooses from one of the twelve dragonmark families and can never change or choose a second mark at a later date. While dragonmarks work like Arcane Backgrounds in some ways, there is no such thing as the Arcane Background: Dragonmark Edge, and the bearer of a mark may also choose an Arcane Background as normal.

Each of the standard marks provides a bonus to a Trait roll, as well as a magical ability which can usually be used at least once a day; aberrant marks lack the Trait bonus, but do bestow a magical ability. In both cases, this ability costs no power points, uses no components and operates as if the minimum number of power points had been spent; for example, the Mark of Handling bestows the Beast Friend ability as if 3 power points had been expended. Dragonmark abilities use their own skill and have no linked attribute, just like superpowers; this skill starts at 1d4 and can only be increased by upgrading the dragonmark itself.

Bearers of the standard dragonmarks are almost always members of one of the great dragonmarked houses, but receive no special treatment unless they also have Edges like Noble or Connections. On the other hand, it is possible to have Connections within a dragonmarked house without yourself manifesting a mark.

LEAST DRAGONMARK
Requirements: Novice; Human, dwarf, elf, gnome, half-elf, halfling, half-orc.
Choose one of the twelve available dragonmarks; you gain the bonus associated with the mark, and may also use the mark's spell-like ability once per day.

LESSER DRAGONMARK
Requirements: Least Dragonmark; Seasoned.
Your mark is more powerful than normal. You may choose one of the following effects:
  • You may use your dragonmark ability once more per day.
  • You may increase your dragonmark skill by one die type, up to d12.
  • Your ability is enhanced; increase the duration or effect as if one extra power point were spent.

GREATER DRAGONMARK
Requirements: Lesser Dragonmark; Veteran.
Your mark is among the most powerful known. The effects of this Edge are identical to, and stack with, those of the Lesser Dragonmark Edge, above.

ABERRANT DRAGONMARK
Requirements: Novice; Human, dwarf, elf, gnome, half-elf, halfling, half-orc.
Your mark is strange and unusual and resembles none of the standard twelve dragonmarks. Your mark mimics one of the following powers (roll 1d6):
  1. Armour (Savage Worlds Explorer's Edition)
  2. Detect/Conceal Secret Doors (SWEX; as Detect/Conceal Arcana, bar the obvious difference)
  3. Elemental Manipulation (SWEX)
  4. Fear (SWEX)
  5. Light (SWEX)
  6. Wall Walker (Fantasy Companion Explorer's Edition)


It's not all good though; here's a Hindrance to go with the Edges:

DRAGONMARK OUTCAST (MINOR)
For some reason, your connections with your dragonmarked house have been severed. You may have been thrown out for some indiscretion, or perhaps they are simply not aware of your existence. You cannot call in any favours from the family, but other houses will still see you at best as a rival and at worst as a spy, so you cannot go to them either. When interacting with the dragonmarked houses, you operate as if you have the Outsider Hindrance.

Friday, 11 February 2011

The Ministry of Blades : The Madness of Angels, episode 4

April spies a spirit; Dr Pleasant meets an eccentric.

Played

27th January 2011.

Dramatis Personae

Lady Antonia deVore - a Heavily-armed Aristocrat.
Captain Benson Curruthers - a Military Policeman.
Doctor Zephaniah Pleasant - a Sinister Surgeon.
Miss April Sharpe - a Self-taught Inventor.
Jack Prentiss - a Dodgy Pedestrian.
Mr Erasmus Rooke - the Boss.
Sir Colin Mortimer - an Eccentric Architect.
Henderson - a Dedicated Cryptologist.
Lord Abergavenny - an Irritable Noble.
William Body - a Timid Workman.
Charlie Body - another Timid Workman.
The Chief Verger of St Paul's Cathedral.
The Distraught Vicar of St Ninian's Church.
Several Members of Staff at the Capitoline Club.
Lewis - an Unsuccessful Burglar.
The Corpse of Martin Geffey.
A Young Constable.
Two Athletic Bobbies.

Plot

Following the examination of Martin Geffey’s body, the heroes reassembled at the Ministry. It was late, but before turning in for the night, Curruthers wrote out his report of the day’s events, while Lady Antonia and Dr Pleasant both made attempts to decipher some of the Dean’s books.

The following morning, Curruthers led the charge to the breakfast table where news was spreading of the sudden collapses of St Ninian’s and St Colstan’s churches in North and South East London, respectively. Rumours were also circulating of paranormal events at the Cathedral. Accordingly, they decided to pay a visit to St Paul’s, pausing to deliver Greenfield’s enciphered diary to Mr Henderson, a somewhat unusual, but very talented, individual.

Arriving, they found the building empty, with staff, worshippers and onlookers surrounding it in a big circle. They were hailed by the Chief Verger, who explained about strange figures in the aisles, mysterious shrieks and whispering in the galleries and odd lights under the dome. They decided to enter and, despite their efforts to avoid notice, were cheered on by the crowds.

As they entered, they became aware that the building was much darker than it should have been. It was also cold and, as they left the porch, the main door shut with a loud bang. Prentiss and Miss Sharpe were somewhat shaken by this, but decided to press on. They were greeted by odd noises, but were unable to trace the source and, advancing to the space under the dome, they caught a glimpse of a faint figure just beyond the range of their torchlight. Miss Sharpe turned on her Detecteronatron and saw a demonic face screaming in the smoke, bearing a similarity to the face she had seen the morning before in the roof. They became aware of a shaking in the floor and dust began to fall from the arches. A brief attempt to investigate the upper levels was thwarted by the sudden appearance of a huge crack across the floor and they decided discretion was the greater part of valour, resisting the urge to flee outright as a sudden cackling emanated from the air around them.

As they emerged from the South Door, they were hailed by the Chief Verger, who immediately introduced them to the Bodys. The workmen had finally emerged from hiding and were desperate to relate their tale of uncovering a stone block bearing a carving of a Green Man. Not long afterwards, a number of odd events had occurred, culminating in the appearance of a ghostly figure in the cavity within the wall. They had fled, although Geffey had attempted to face down the entity before chasing after them. They had seen him collapse in the alley behind them and had assumed he’d been attacked and killed, hence their hiding.

Returning to the Ministry, Curruthers sought out Mr Rooke, asking him about the Capitoline Club. Rooke expanded a little on the establishment, explaining its status as a gentleman’s club, and told him that his Ministry status wouldn’t get him in. Curruthers and Prentiss decided to try anyway and, after briefly calling in on Henderson and getting the impression he did not want to be disturbed, they headed for Kensington. They were invited into the lobby and were shown to a side room, where they were met by the President of the Club, a curmudgeonly noble known as Lord Abergavenny. He flatly refused to help them, so they left, circling around to the rear of the building, where they debated forcing an entry.

The other three heroes opted for library research. After a brief and unsuccessful investigation of possible rituals that might prevent the collapse of St Paul’s, Pleasant joined Miss Sharpe in examining the history of Green Man carvings. They discovered that they were common in medieval churches and were apparently placed by professional masons. Theories connected them to a pagan underground and they may have had some ritual purpose: either protecting the building from vengeful local spirits or possibly binding the church with the power of those same spirits. Interestingly, they discovered that Christopher Wren flatly refused to include such carvings in any of his buildings, regarding them as pagan abominations (a not uncommon opinion in the aftermath of the Commonwealth). Lady Antonia investigated Wren’s career and the building of the cathedral, unearthing his connections to Isaac Newton and to a more mystical intellectual tradition.

Miss Sharpe and Pleasant then visited the site of the collapse of St Ninian’s, one of Wren’s other London churches. Talking to the vicar, they found out that the building had no history of instability, but were then approached by a somewhat crazed individual who informed them that Wren had been up to no good, using “occult practices” to shore up impractical designs. Despite his introducing himself as Sir Colin Mortimer of the Imperial Institute of Architects, Pleasant dismissed him as “odd”.

Notes

This game was a lot of fun from my point of view, despite the lack of actual action. For some reason, I was finally able to over-emphasise the peculiarities of some of the NPC’s (Mortimer and Henderson especially), which seemed to go down well. I intend to try this more often, it’s frequently offered as a way to make sessions more memorable.

On the downside I didn’t get as far through the investigation as I would have liked. This led to some compromises in the effort to finish the story the next week.

Wednesday, 26 January 2011

The Ministry of Blades : The Madness of Angels, episode 3

Dr Pleasant shows his power; Prentiss is nearly brought down by a garden implement.

Played

13th January 2011.

Dramatis Personae

Lady Antonia deVore - a Heavily-armed Aristocrat *.
Captain Benson Curruthers - a Military Policeman.
Doctor Zephaniah Pleasant - a Sinister Surgeon.
Miss April Sharpe - a Self-taught Inventor.
Jack Prentiss - a Dodgy Pedestrian.
Rodney Marsh - a Partially-reformed Thief *.
Lewis - an Unsuccessful Burglar.
The Corpse of Martin Geffey.
A Young Constable.
Two Athletic Bobbies.

Plot

Prentiss was running as soon as his feet hit the path, chasing after the burglar he had seen dropping past the study window. Unfortunately, it was dark in the yard and an unseen rake nearly knocked him out. The thief took the opportunity to try and climb over the back wall, but his initial leap fell short, squandering his advantage.

Curruthers, having ascertained that the thief was being chased, headed for the front door, intending to cut the villain off at the end of the alley. Dr Pleasant and Miss Sharpe followed, leaving Lady Antonia to keep an eye on the study. That they might not pick the right end of the alley did not occur to them.

Hitting the ground on the far side of the wall, Prentiss doggedly renewed his pursuit, catching the burglar in a bear hug after he skidded in a puddle. Curruthers and his team appeared at the nearest end of the alley, having made the right decision, just as the thief broke loose, sprinting in the other direction. Pleasant reacted immediately, calling on Malphas, the Tower Builder, to intervene: a burst of blue light and an accompanying thunderclap nearly stunned the villain, but he shook it off and ran on. Curruthers calmly put a bullet in his shoulder, slowing him down enough for Prentiss to catch him again.

The team assembled and examined their captive: a shabby looking little man with oddly rodent-like features. They found themselves reminded of Marsh, although this was definitely not him. Attempting to get some information out of him, Curruthers attempted to persuade them that things would go better if he talked. All the while, Prentiss loomed over them in an intimidating manner, although this was compromised somewhat as Dr Pleasant attended to his developing black eye, muttering about tasks that were “beneath him”. Eventually, offered a deal, the criminal, Lewis, admitted to being hired by a mysterious figure. He had broken into the house to steal several specific objects and had been permitted to take anything else he wanted in order to muddy the picture.

He produced a bag from under his coat and revealed a number of odd objects: two sets of elaborate black robes, an elaborate chain of office (although not for any recognisable organisation), a private journal. He also had jewellery and other items of value. He was supposed to locate a small silver key, but had been unable to find it.

Extracting the location of the pub where Lewis had met his patron and where he was due to hand over the loot, the team headed back towards the West End. As they passed the Cathedral, they were accosted by a constable, who informed them that they’d found the body of Martin Geffey. Pleasant and April went with him while the others took Lewis on to the Ministry. The body lay in an alley near St Paul’s, at the end of an increasingly wild set of tracks, as though he had stumbled the final steps. Like the good Dean, it bore an expression of terror. Pleasant rapidly came to the conclusion he had died of a seizure, probably brought on by fear. Miss Sharpe used her Detecteronatron, to hunt for spirits, but was unsuccessful.

As the pair returned to the Ministry, they caught a glimpse of Marsh. As they attempted to hail him, they heard whistles and the pounding of heavy boots. Looking wildly around him, Marsh fled into the fog!

Notes

This was the first time I had attempted to use the chase system, widely touted as one of Savage Worlds’ more useful features. It was a little confusing at first, as the whole thing is written in terms of car chases, even though it was explicitly for foot chases as well. I found myself having to decide exactly what “Seriously Out of Control” meant for a pedestrian (stumbling) and exactly how climbing a wall might affect proceedings. I’m still not sure the system reflected Prentiss’ superior pace well enough or the effect of attacking while running, but it’s another system that will benefit from practice. Next time, there will definitely be more obstacles!

Had Marsh been present, he would have recognised Lewis as a former associate and probably have gotten more information out of him. As it was, it was largely irrelevant.

(* - player not present.)

Monday, 24 January 2011

The Ministry of Blades : A Frosty Reception at the Ministry (an Untold Tale of the Ministry)

April blows up a door; Antonia kills a chair

Played

16th December 2010.

Dramatis Personae

Lady Antonia deVore - a Heavily-armed Aristocrat.
Captain Benson Curruthers - a Military Policeman.
Miss April Sharpe - a Self-taught Inventor.
Jack Prentiss - a Dodgy Pedestrian.
A Bad-tempered Norwegian Sprite.
Assorted Notables and Minions of the Ministry.

Plot

It had been a warm, wet winter and it was particularly foggy as the team returned to the Ministry on Christmas Eve. Delayed by the wrap-up for a persistent case, they were anxious to get back into the warmth, where the annual Christmas Dinner was being held. They were somewhat bemused to discover the building dark and locked-up.

Trying the front door, they became aware that it was much colder than the outside air. It was locked. The windows were dark and, on close examination, seemed to be frosted on the inside. Finding the main gates to the yard locked as well, the team ventured to the alley behind the building with the intention of climbing over the wall. The yard itself seemed fine, if quiet, and the horses in the stables were wrapped up warm against the cold. Checking the carriages and other equipment, they uncovered some warm clothing and blankets and, assuming the cold extended throughout the building, undertook appropriate preparations.

The back door was locked, but Prentiss had little difficulty forcing it open, letting the group into the kitchen. The room had been abandoned, although half-prepared food lay on the tables. The oven was cold and there was no sign of the staff. Everything was covered in frost. Choosing a door at random (this not being an area any of them were familiar with), they ventured into the central lobby of the building. Everything was covered in a thin layer of ice and the carpet crunched underfoot. The gas lights were turned on, but no gas issued from the tubes and they were cold and dark.

Curruthers took the lead as they headed for the main staircase to the first floor and was the first to be attacked by the zombies. Prentiss, at the rear, found more and battle broke out. The walking dead were frozen solid and difficult to damage, but tended to shatter when a solid hit was made. Making short work of the corpses, one of which was recognizable as the werewolf they killed in Highgate Cemetery, they reached the balcony. The ice was thicker here, coating the doors, walls and other woodwork. It was several inches thick on the doors to the Library and Council Chambers, which is where the dinner was to be held.

Deciding they needed heavier tools, they headed for the basement stores, getting distracted momentarily by the possibility of getting gunpowder from the armoury. Unfortunately, the doors were too well secured, so they fell back on the original plan of making use of picks and hammers.

Returning to the Library door, they set to work. Prentiss smashed a lot of ice off the door, fatiguing himself, but allowing them entry. The ice inside was thicker towards the door of the Council Chamber, but nothing could be heard. They spent some time examining the room for signs of summoning or of other dodgy books, but it seemed Madame Delgal had been tidying with her usual efficiency.

They began taking turns hacking at the Chamber door. After a couple of attempts, a head formed from the ice and, after giving them all a disdainful look, told them to stop making so much noise and go away. Further attempts to remove the ice resulted in the arrival of a four-foot tall figure of ice, which they smashed. This was followed by a series of lethal eruptions of ice shards. Dodging the bursts, they managed to remove a panel of the door and Prentiss packed it with black powder from his blunderbuss. Miss Sharpe then ignited the powder with a blast from her gun, blowing the door off its hinges.

Inside, they found the rest of the staff frozen at the table and covered in thick ice. While they stared at the scene, Miss Sharpe used her detecteronatron to locate a spirit sitting in a frozen chair watching them. She pointed it out to the others and large chunks of ice began to fall from the ceiling, narrowly missing several of the heroes, as Lady Antonia unloaded her LeMats at the chair. While the chair was completely demolished, the spirit appeared to be completely unaffected; worse, it was audibly cackling at them!

While various weapons discharged around him, Curruthers looked for the thickest concentration of ice, spotting it on the specially-imported Norwegian Spruce. Assuming a connection, he led the others in launching a hail of fire at it, eventually resulting in its destruction. The spirit promptly dissipated and the ice began to sublimate into the air.

Sensing an opportunity, the heroes started to decorate the frozen staff in a comical fashion, intending to blame the spirit when they woke up…

Notes

As a mostly-improvised session (I had a basic idea of the plot, plus a rough idea of the layout of the building), this worked very well. I hadn’t planned how they would defeat the spirit, but I love the solution they came up with and just ran with it.

This is the first time I’d ever run a seasonal special and, although Christmas is particularly important in a Victorian setting, I didn’t want to fall into the usual cliché of the Christmas Carol rip-off. If it’s not clear, the spirit was the Scandinavian equivalent of a dryad, connected to the imported Christmas tree; it wasn’t happy with the noise and heat and decided to freeze all involved.

One thing I discovered with this game is that sometimes miniatures are very important, even in simple fights. Confusion rained during the fight with the zombies as to who was where and next to whom…

Sunday, 9 January 2011

Savage Eberron II: The Jewel of Galifar

Last summer, my regular group decided to devote a weekend to gaming. The event came to be kown as "BenCon", because who can turn down a good -- or bad -- pun? Over the two days, we played a big game of Twilight Imperium, were introduced to the wonderful Cold City, and got in a couple of sessions of Savage Worlds, one of which was my experimental mash up of that pulp-flavoured ruleset with the pulp-flavoured setting of Eberron. While the two seemed to work well together in terms of tone, I wasn't satisfied with how the game went.

As it became clear that our schedules would align to enable another gaming day, we decided to have a Winter BenCon during the Christmas break. This slipped back as real life got in the way, but we managed to organise one solid day of gaming to take place in the new year, and three games were arranged: Stuart was set to run a RuneQuest scenario using Mongoose's samurai sourcebook, and I'm sure he'll be reporting on that soon enough, while Dave was going to run us through a Trail of Cthulhu investigation, and I had planned a sequel to the earlier Savage Eberron adventure. As it turned out, Dave had decided to move back to Vancouver and so was neck deep in packing, unable to devote time to preparing a game; as a result, the schedule for the day was curtailed and became a simple double bill.

My scenario was a loose sequel to the earlier game, not a direct continuation but a new adventure featuring the same player-characters, although the format did allow for new characters. As such, we welcomed Galaxy Jones, a halfling dinosaur rider with the personality of a Blaxploitation character, complete with afro hairstyle and leopard-skin coat. Galaxy turned out to be something of a glass cannon, dealing out massive damage from the back of his mount, Shep, but proving to be quite fragile when unseated. Stuart developed Fibulon, a professional duellist, and passed his previous character, warforged soldier Tactica-206, to his son Sebastian. Aside from Tactica-206, also returning from the previous episode were Dave's half-elf bushwhacker Kawa, and Ben's deaf dwarf artificer Stones McGuffin, while Manoj was unable to attend due to illness, so his half-ogre vuvuzela-toting bard stayed at home.

The party had been hired by a self-titled "collector of curiosities" named Jobar Lenskin, who had heard rumours of an item called the "Jewel of Galifar". This was a treasure of which he'd heard nothing before, and his regular sources and contacts were also baffled, all of which made him want this Jewel even more. As such, he tasked the player-characters with finding out more about the item and if possible to retrieve it for his collection. The characters followed their leads to the gnomish nation of Zilargo, and the canal-crossed city of Trolanport. There, they headed to the home of a local businessman named Arno Salvatore, as they'd heard that he might know more about the Jewel.

The game began with the player-characters in a boat outside Salvatore's front door. They knocked and, receiving no answer but hearing the sounds of someone running within, broke the door down. Inside was a courtyard with what looked like some disused boats covered with tarpaulin, and steps heading to an upper level on which could be seen an open door. The team went for the stairs, only for the tarpaulin to be flung aside, revealing a huge warforged with four spider-like legs and massive stone axes instead of hands. A short fight ensued -- despite its high stats, the warforged was an Extra and required only two hits to incapacitate -- and the party rushed upstairs to find a small library on fire and a tall, athletic man standing by the window. He smiled at them, gave a mock salute, then leaped out the window, across the canal outside, and on to the roof of the building opposite.

I had designed a fun parkour-like chase across the rooftops which would then evolve into an elemental speedboat chase along the canals of the city. What in fact happened was that every single character who attempted the jump made it with ease, and they caught up with their quarry in short order. A quick tussle on the roof ensued, but with no way out, the man surrendered, and the complex map I'd drawn out on the tabletop went unused. Sigh. During the brawl a crowd had gathered in the piazza below and Kawa decided to pose as a member of the Trust -- Zilargo's secret police agency -- in an attempt to explain the party's unusual behaviour.

Dragging their captive -- who claimed to be Arno Salvatore -- back to the house, the player-characters went through the documents he had attempted to destroy, and also had a go at interrogating the man himself. He proved resilient, and it seemed as if he was more frightened of someone else than he was of the characters, but they did manage to find out that while he did have the Jewel at one point, he had passed it on to his associates, who had either taken it to, or were based at, a location in the forests to the south of Trolanport. It was also implied that he did not know what the Jewel was, as it was sealed inside some kind of container.

Dave then attempted to derail the adventure further when an agent of the Trust came snooping around and his character Kawa decided to not only threaten said agent, but knock off his impressive stovepipe hat to punctuate said threat. The players were convinced to allow the agent to speak to Salvatore, and although the captive attempted to paint the player-characters as villains, the gnome seemed to know that not all was as it seemed. He indicated that he had some previous connection to the characters' colleague Eddie Stone -- Rick's character in the previous game, a changeling private eye with a shady past -- which was enough to save their lives, but that they should leave town if they valued their ongoing health. A couple of the party members had spotted evidence of what might have been snipers surrounding their current position, so the group decided that the gnome's advice was sound, and leaving Salvatore in his custody, they headed to the docks and boarded a ship heading south.

A day or so later, the characters were dropped off at a nondescript stretch of coastline and headed into the forest. After a while they found the tracks of a group of humanoid travellers and followed them until they picked up the sounds of loud voices talking in the goblin tongue; McGuffin knew a little bit of the language and thought that the goblinoids seemed to be drinking and having a laugh, and were not on high alert. There was some brief discussion on whether or not to rush the camp, but in the end the party decided that the goblinoids were not an immediate threat and that since their own destination was in a different direction, a fight would be an unnecessary diversion at that point.

The trees began to thin out and ahead of them, across a stretch of featureless terrain, was a small two-tier fortification. It appeared to be a remnant of the old hobgoblin empire and despite being thousands of years old, was still in fair condition; McGuffin assured the rest of the group that no goblinoiod structure could possibly last so long and that dwarves must have had a hand in its creation, but it sounded to them like the typical ravings of a Hobgoblin Denialist. The player-characters didn't think running across all that open ground in broad daylight was a good idea, so sat down in the cover of the treeline to observe the tower, picking out a number of green-clad guards patrolling the battlements.

Night fell and a rain storm swept in from the coast, all of which was deemed enough cover to make a move on the tower. Galaxy and his dinosaur went first and made it to the outer wall of the fortification, then the woodsman Kawa followed, but something about his approach alerted a guard and a crossbow bolt flew out of the darkness, striking the half-elf and bringing him to the ground. At this, the rest of the party abandoned stealth and charged up to the walls.

The outer walls were ruined in places, allowing easy access into the yard within, where the team discovered a group of guards -- I described these as wearing green ninja-like pyjamas, because a horde of ninjas is almost as good as a bunch of Nazis when you're running a pulp game -- and a handful of snipers atop the battlements of the tower itself. The party tore through their opponents -- as expected, as they were Extras -- with Galaxy Jones and Shep proving quite deadly, and gained entrance into the tower. More of the green-clad warriors were stationed on the stairs and landings within, and so began a running battle up to the roof, with only a brief pause to block the door to the battlements, trapping the snipers outside in the storm.

Up on the roof, the party encountered more of the warriors, as well as one who wore a carved metal facemask instead of the cloth masks of his followers, and who stood alongside an iron casket covered with runes and decorative carvings. By this time, the rain had become torrential, and in a bit of an old-school touch, I threw in a bit of randomness by declaring that when the four of clubs was drawn from the initiative deck, a bolt of lightning would strike the tower, centred on the character of the player who'd drawn the card. I did not expect this to come up much, if at all, but it happened four or five times during the battle. Apparently, it was quite the storm.

This became something of an epic confrontation, with bennies being spent left, right and centre, and the player-characters' luck failing them at key moments. Highlights included Kawa's knockdown brawl with a bog-standard mook, a fight which lasted the entire length of the battle and beyond; the arrival of a manticore just as the player-characters thought they might have the upper hand; and Fibulon sliding along the rain-slicked stones of the roof, between the legs of the combatants surrounding the casket, tripping up the leader, and just catching himself on the edge by one hand. In response, the masked figure used the Havoc spell -- from the Fantasy Companion -- to knock the player-chracters around and send the duellist over the edge. Fibulon survived the fall, landing on the lower battlements, right behind the snipers the party had left trapped there! There was a brief moment of uncertainty as Fibulon and the surprised crossbowmen eyed each other, then the duellist leaped off the lower battlements -- again suffering no damage -- and began his ascent back up to the fight above.

Reaching the roof, Fibulon got his revenge on the masked mage by running him through, but the manticore battled on, as did the nameless minion tussling with Kawa and, by this point, Stones McGuffin. Fearing defeat, the player-characters changed tack and got the casket off the roof and down the stairs; the manticore, too large to follow, took flight and disappeared into the thick cloud cover, while the lone henchman dodged through a number of attacks to follow the casket. He would likely have followed the party all the way home had Tactica-206 not shoulder-barged him off the stairs to his death two storeys below.

Safe if only for a moment, the party stopped to catch their collective breath. Galaxy Jones' dinosaur mount had been killed, he had suffered serious injuries, and he'd laso been blinded by the manticore's venom. The half-elf woodsman attempted to administer first aid, which resulted in the halfling bleeding out and suffering permanent organ damage, losing one level of his strength attribute. Nonetheless he survived the medical attention and was just about fit enough to make the mad dash across open ground to the relative safety of the forest. Luck was on their side, as the crossbowmen remained occupied with their attempts to get off the lower roof, and while the manticore had returned to track them from the air, it lost sight of them as they got deeper into the forest.

The team made it to a small village, and from there obtained passage back to their base of operations, where the injured could recover and McGuffin could examine the casket. The old dwarf figured out that it seemed to be under the effects of a permanent Time Stop spell, and rigged a device which would interrupt the magic long enough to open the container. Inside they found a girl, little older than ten and in a deep sleep. She seemed familiar somehow, and some of the party members thought she had a noble look to her features. When the girl woke, she seemed confused by her surroundings, and claimed she was Jenna ir'Wynarn, the oldest child of King Jarot, the ruler whose children's disagreements over the proper order of succession had led to the century-long Last War. All of which was very interesting, as there was no historical record of a Jenna ir'Wynarn.

If her story was true, then the girl would be a person of great importance to the whole of Khorvaire. The party decided to keep her existence secret until they knew more, so sealed up the now empty casket and delivered it to Lenskin, who seemed disappointed that the Jewel turned out to be a unique but unexciting magical item.



I enjoyed this session much more than the game I ran at the summer event, I think because I managed to better capture the pulp feel of the setting. I was disappointed to lose the chase sequence, but the battle up and atop the hobgoblin tower was worth it, with the tide shifting a number of times, and all sorts of unexpected and unique events occurring over the course of the fight. The players were challenged, and there was a serious danger of characters -- perhaps the whole party -- being killed if the team hadn't made the wise decision to get the casket -- and the focus of everyone's attention -- out of the picture. This caused the manticore to withdraw to reconsider its position, and allowed the party the breathing room to escape.

The big fight atop the tower did go on a long time, and the session ran over by ninety minutes, in part because the manticore was so difficult to hurt. Its Parry score was not impressive, but it had a Toughness score of eleven, which soaked up all but the most damaging effects, although in fairness it had used all its bennies and had suffered a wound by the end of the fight. The players, Dave in particular, were cursed with poor damage rolls in the later stages of the battle, and found themselves unable to put down a nameless mook, let alone the big boss monster; as such I'm reluctant to put the grind -- I say "grind", but I don't know if anyone really felt like that, as everyone seemed alert and interested -- of the fight down to a flaw in the Savage Worlds system. In the previous adventure, the players chopped through all their oppenents at great speed, so I'm almost certain it was just bad luck. We'll see how Savage Eberron III goes!