Showing posts with label Lamentations of the Flame Princess. Show all posts
Showing posts with label Lamentations of the Flame Princess. Show all posts

Friday 28 December 2012

Thieving: 75%

As of 2013, I'm going to be transferring my gaming posts over to my other blog. I'm sure I had a good reason to be running two blogs at some point but I've long forgotten what it was, so I'm going to keep everything in one place from January. Until then, I'll post in both places, but if you want to carry on following my somewhat infrequent posting, then please bookmark or follow or whatever the term is these days my other blog, Aiee! Run From Kelvin's Brainsplurge! Thanks.

The main reason behind the lack of posts of late is that I've been spending most of my time working on Horror Among Thieves. It's not done yet, but I estimate that it's about 75% done. What I have completed as of this morning are all the maps, aside from the big city map and one bonus location that wasn't in the original adventure as written. Behold:


There's still some way to go, but it's starting to look like a complete adventure. I want to thank everyone again for contributing to the funding campaign, and also for being so patient; I'm a little embarrassed that it's taken so long to get this thing done, but I hope it will be worth the wait.

Monday 24 September 2012

Horror Among Updates

It's been a bit quiet around here of late, not because of a lack of interest in gaming -- we've played a bit of Call of Cthulhu, playtested D&D5 and have even returned to Pathfinder in the past couple of weeks -- but rather because I've been preoccupied with working on Horror Among Thieves. The adventure exists in a playable form as of right now, and I managed to get in a playtest with my regular group, but there's still a lot of work to be done to get it into something that can be published.

That said, I thought I'd share a bit of a preview. This is one of the least spoiler-laden locations in the scenario, the House on Willow Lane:


This is a rough version of how I want the book to look; if the adventure hadn't reached its funding goal and I'd put it out myself this is how it would look more or less, but with James Raggi's layout people putting it together it should look much better, and of course there are still changes to be made. Even so, this should give you an idea of what I'm going for.

Friday 17 August 2012

Adventures in Love

Blatant self promotion time!


Death Love Doom is almost the latest adventure from Lamentations of the Flame Princess; I say "almost" because another one was released in the pat few days, but more on that another time. It is a graphic piece of work, with extreme descriptions of brutal violence and I was asked to draw the pictures; it's not the kind of thing I've done before and I don't know if I'd do it again, but it was an interesting experience. I would recommend reading the reviews and this blog post before you buy.

The Complete B/X Adventurer is a different beast. It's a rules supplement for Basic and Expert -- the "B/X" of the title -- Dungeons and Dragons, and a follow-up to The B/X Companion, and contains all sorts of new character classes, spells and other bits and bobs I don't understand as I don't play B/X D&D. I did some art for the latter, so I was happy to be asked back to provide some character drawings for this new volume; my favourite is the Acrobat.

Death Love Doom is available from the Lamentations of the Flame Princess online shop, although it is a limited edition and there are only about eighty copies left, so if you like brutal body horror then hurry! The Complete B/X Adventurer is available from the B/X Blackrazor blog.

Tuesday 7 August 2012

Horrific Certainty

Horror Among Thieves reached its funding goal with about ten hours to spare. I was as surprised as anyone, as I'd given up quite early on; my offer to produce the adventure anyway and send it to contributors for free was my way of thanking the thirty or so people who'd supported me at that point.

The offer of a free adventure got a few more people on board, but the interest seemed to peak at around $3000 and I thought that was that, so when the campaign made up the rest of its funding over the last day or so, I was stunned.

I still can't quite believe that so many of you out there are interested in an adventure written by me, but thank you one and all. I can't give you a free adventure any more, but I'm going to make it up to you by producing the best thieves' guild based horror scenario I can, and I'll also try to think of some bonus features to give to those of you who have supported the project, stuff that will be exclusive to this release.

In the meantime, here's a mutant guard dog from the adventure.

Thank you all.

Monday 30 July 2012

The Time of Horror Approaches, Maybe

Well that's unexpected.

In the past couple days, Broodmother Sky Fortress and The Seclusium of Orphone have both made their funding goals, so congratulations go to Jeff, Stuart, Vincent Baker and Cynthia Sheppard. Jeff's adventure was an early front-runner and even the naysayers couldn't deny that there was a good chance that it of all the adventures would make its funding. Baker's adventure had a fair way to go this time yesterday, but it's got there with just over two days left, so that leaves...

Oh.

By some weird twist of fate, that leaves my adventure as the next closest to its goal. Now I'm a long way behind the other two so there's a lot of money to make up in two days, but it doesn't hurt to try, and if nothing comes of it then the previous offer still stands.

To be honest, I think it's too late and I don't expect Horror Among Thieves to make its goal, but then I never expected it to get as close as it has done, to have attracted more interest than Monte Cook's adventure or the one by the bloke from GWAR. The fact that it has is down to you lot, and I can't thank you enough.

For those of you still on the fence, perhaps a glimpse at some of my other games writing will give you an idea of whether you'll like Horror Among Thieves. Dinner With Susan is an appparently well-regarded scenario for Call of Cthulhu that shares some elements with my new adventure, and the idea of being trapped in an enclosed space with some horror also cropped up in my contest-winning One Page Dungeons of 2011 and 2012. All three adventures are free and are somewhat indicative of what you can expect from Horror Among Thieves, and you can find more -- along with many examples of my art -- at my website.

Thank you again.

Monday 23 July 2012

More Horror Among Thieves

When I announced that I was going to produce my adventure Horror Among Thieves as a pdf and give it away for free, I intended it as a small way to say thanks to those who backed the project.

I had mentioned the plan to Lamentations of the Flame Princess head honcho James Raggi, and I had his blessing, but I had no idea that he was going to then pull something like this:

 Kelvin Green’s gone nuts and he’s infected LotFP Central!

If Horror Among Thieves does NOT fund, LotFP will still be publishing the adventure. It won’t necessarily be on the same timetable as if it were to fund, but we’ll put it out.

Anyone contributing $10+ to the campaign will get the adventure PDF, WHETHER OR NOT THE CAMPAIGN FUNDS.

Anyone contributing $20+ to the campaign will get the physical book, WHETHER OR NOT THE CAMPAIGN FUNDS.

That’s right, if the campaign doesn’t fund, you get your contributed money back at the close of the campaign, and you will get the stuff anyway when it’s published. (Note that if it doesn’t fund with this campaign, books will be shipped 2nd class and it does not include any of the campaign extras.)

Spread the word. Now there really is no excuse not to fund this thing.


That's a bold move; I'm risking nothing by producing the adventure whether it makes its goal or not, but James is going to be putting his company's resources behind it with no guarantee of financial reward.

In the day or so since James made his announcement, the campaign total has almost doubled, so thank you James, and thank you to all who have contributed so far.

Thursday 12 July 2012

Horror Among Thieves

Oh look, I'm going to be writing an adventure for the Lamentations of the Flame Princess role-playing game!

"The Tenebrous Hand don't rule the city, but they may as well. If they can't bribe you, they can sneak into your home and threaten you and yours. That's why they get away with it. But you know what I think’s fishy? No one's seen one of their men for a while. No one's been collecting the protection money and I've got this constable mate who says that there aren't so many robberies these days. I’ll tell you another thing: he also says that the people in charge are more worried than ever, because if a thief's going through your pockets, you at least know where he is, you know what I mean? And you’ve got to wonder, if the Hand really are gone, then what’s happened to all their loot?"

It’s nice and ominous, but it doesn’t tell you, the buyer, much about the adventure, does it? At the same time, I don’t want to spoil things too much; I want to surprise you -- I hope in a good way -- when you open the book and read it for the first time. So what can I tell you?

I can tell you that the chief inspiration behind Horror Among Thieves is the work of John Carpenter, in particular his remake of The Thing. There’s a bit of Escape From New York and Big Trouble in Little China in there too, and just a tiny smidgeon of Prince of Darkness. Attack the Block, which is not one of Carpenter’s but may as well be, has exerted some influence too. If the adventure had a soundtrack, it would be full of ominous synths.

It’s an urban adventure, set in a block of buildings that can be dropped drop into the city of your choice, and the surroundings should force an interesting moral choice on your players. What are they willing to do, or rather what are they willing to let happen, for the promise of treasure?

As I’m also responsible for the art on this project, I’ve got the opportunity to do more than just illustrate the text; I want to create a closer relationship between images and words than we tend to see in role-playing adventures. It’s a lofty goal, perhaps, but after reading Vornheim, I know that there’s more we can do with the format of these things. I hope I’m up to the task, and I hope you’ll join me in finding out.

So, if you want to know what happened to the Tenebrous Hand, what they have hidden in their vault, why that unfortunate fellow over there is so keen on forgiveness, and what the heck the Brotherhood of Pus is, then pledge $10 or more and you’ll find out.

Whether or not this campaign makes its goal, anyone who contributes at least $10 will get a pdf of the adventure; if the campaign is a success, the full weight of the Lamentations of the Flame Princess design and layout team will be thrown behind it and you’ll get the fancy pants edition detailed on the campaign page. If not, then I’ll be putting it together myself and it won’t look half as good, but you will get the full text and all the art; all the content just as if the goal had been reached. That’s my small way of showing my thanks to you for showing your support.

Sunday 24 June 2012

Five, Six, Seven

Over the past few weeks, I've been running my group through the fifth edition Dungeons & Dragons playtest. I will admit that I was not optimistic as I hated D&D4 and while I've enjoyed playing Pathfinder, it's more complicated than I like. I appreciate the retroclones for how they've opened up old-school gaming to a new audience, but most of them have mechanics or assumptions that I find difficult to accept; the notable exception to this is James Raggi's Lamentations of the Flame Princess, which I've mentioned before. It has the simple mechanics I prefer, but introduces a number of welcome tweaks to the basic D&D system, making it close to my perfect version of The Game.

All that said, D&D5 has impressed me. It has the same kind of mechanical simplicity as Basic D&D, so I can run it without breaking my brain, but it also seems -- the character generation rules have not yet been released for testing -- to provide enough complexity on the characters' side to keep my players -- who missed the mechanical options of Pathfinder when we played LotFP -- interested and happy. It does have some problems -- player-characters are perhaps too tough at first level, and spells are a bit erratic in terms of power; sleep in particular is either useless or overpowered, depending on the target -- but it's a first draft playtest, so such glitches are to be expected. My big fear for the final published product was that it would add more and more complicated parts to keep the D&D3 and D&D4 fans on board, but recent comments by Mike Mearls have suggested that a simple and streamlined core rules package is a goal for the design team, so I have high hopes. If all else fails, we'll just carry on playing it using the playtest documents!

Also on the way -- but arriving much sooner -- is the sixth edition of Warhammer 40,000. I entered the Games Workshop Hobby™ during the Rogue Trader days, but the boxed second edition of 40K was the one I played the most. I stopped playing with the release of the third edition, in part because I disliked some of the rules changes, but for the main part because of my two armies -- a Genestealer Cult and a small Ork force -- the first was invalidated by the edition change -- although an army list was later published in the Citadel Journal -- and the second was rendered unplayable by the game's general reduction of points values. I did pick up the fourth edition second hand but never played it, and the fifth passed me by; from what I can tell, the latter releases have been minor tweaks and polishes of the third, and as I never much liked that ruleset to begin with I haven't been moved to get involved again. The modern game looks absurd to my old eyes, with so many vehicles crammed on to a table that's far too small for them -- back when I played, the only vehicles available were the Rhino and the Ork Battlewagon -- making it look like a game of Space Marine played -- to paraphrase John Peel -- at the wrong scale. As such, unless the sixth edition brings revolutionary changes to the mechanics, I doubt that I will be signing up, but even so I've found myself interested in playing the game again.

Part of this is due to gaming at Stuart's place; while I've been enjoying our fantasy and historical battles, the Grim Darkness of the Far Future™ has always been where I've felt most at home. Part of it is to do with recent nostalgic discussions with friends who either play or used to play, and part is in discovering people like Warhammer Joey, who show such an honest enthusiasm for the game. I'm sure the announcement of the sixth edition had something to do with it too, even if I never buy the thing.

So I've decided to dip my toe back in and put together a small 500 point force. I'm going to go with the Eldar, as I had an Epic-scale army but never got a chance to see them in action in 40K; no one I knew had an Eldar army and they always seemed rather neglected by White Dwarf. I'm going to make no effort whatsoever to make it a competitive army and the troop choice will be made on the basis of the models I like, which in most cases means the older pre-third edition designs. I tend to have a 40K craving once or twice a year that comes to nothing and this one may also fizzle out, but we'll see.

Of all upcoming gaming releases, the most exciting for me has to be Call of Cthulhu's seventh edition, which I believe is going to be getting a preview -- if not an actual release -- at this year's Gen Con. I suspect it won't be too different to the previous six editions, but I've heard that the new rules will have some innovations; much as I love the game, it could do with a bit of mechanical tweaking in places, so I'm keen to see what the writers do in this regard. I own two previous editions and don't need another one, but I'm on board anyway, because it's one of my favourite role-playing games.

All in all, I have plenty to look forward to in terms of gaming in the next few months, but I'm a little wary of the effect all this will have on my bank balance!

Sunday 3 June 2012

Special Delivery

We wrapped up our second Lamentations of the Flame Princess adventure last night; second and perhaps last, as while it's close to being the perfect version of Dungeons & Dragons for me, I know that not everyone in the group is anywhere near as keen.

Anyway, I've scanned and cleaned up my scenario notes from the game, and they can be downloaded as a sort-of-a-One-Page-Dungeon here. For those interested in the tension between preparation and play, it took about a couple of hours to put together and gave us two four-hour sessions of play, although there was a fair bit of faffing about in the first session. I've dropped most of the LotFP-specific statistics, so it should be easy enough to import to your game system of choice.

Thanks to the Queen -- not of the Demonweb Pits -- giving everyone a couple of extra days off work, we should be meeting again tomorrow, this time to either play a bit of RuneQuest -- I haven't played since a total party kill about fifteen years ago -- or perhaps the D&D5 playtest, if I can get my head around the adventure in time.

Saturday 19 May 2012

The Hills Are Alive

It's been a bit of a funny time of late for our gaming group, as one regular member has had to relocate to the other end of the country, and another spent a few weeks touring South America, so we've not been able to put together a regular roleplaying campaign. That might be a bit of a blessing in disguise though, as it's allowed us to try out some other games we might have overlooked if we were in full campaign mode.

We've played a few games of the new Wizards of the Coast board game Lords of Waterdeep. I was a bit hesitant at first as I'd played a couple of the recent Dungeons & Dragons board games and while they're fun enough -- sort of light versions of D&D4, concentrating on the good bits of that game and cutting out all the dodgy stuff -- they're not that engaging. I also find it difficult to work up any enthusiasm for a product associated with the Forgotten Realms, surely the most dull of the classic -- I use the term with reluctance -- D&D settings.

It turns out that while Lords of Waterdeep is published under the D&D brand, it's quite a different kettle of ixitxachitls in terms of gameplay. I'm not a big enough enthusiast of board games to be able to identify its lineage, but it reminds me of a fantasy-themed Monopoly coupled with the mission structure of the old -- and brilliant -- Shadowrun collectable card game. The combination is quite a lot of fun and I would be more than happy to play it again, even with the bland Realms trappings. At least Elminster or Drizzle haven't turned up in our games yet.

We also played a bit of Kingdom Builder, a game which is fast and fun to play, but the English translation of the original German rules is so poor that we found ourselves better off using the French translation. It strikes me as a bit limited in scope, but it's a good way to while away an hour or so with friends.

The past couple of Fridays have seen us return to roleplaying with a couple of games of James Raggi's Lamentations of the Flame Princess, with me as the GM. I've never been a big D&D enthusiast, and I did not react well to our abortive D&D4 campaign. I'm happier with Pathfinder, but I did not enjoy running it; my preferred level of complexity is somewhere around the BECMI level, and LotFP sits right about there, making a few tweaks to some of the wonky mechanics that have always put me off running the otherwise similarly simple Labyrinth lord.

I ran the included adventure last week and we enjoyed it enough to play again last night. I have developed a bit of a -- mostly unfair -- reputation in our group for a certain type of adventure, and without revealing too much for those who haven't played "A Stranger Storm", I rolled my eyes when I read through and got to the climax of the scenario. Of course, my players all thought I'd written the thing myself when they got to the end, and I'm still not sure they believed me when I told them I was running it as written.

Last night's adventure was written by my own hand, although "written" is perhaps too strong a word. I had an adventure hook in my mind and a couple of hand-drawn maps, and that's it; I've not often gone into a game with so little prepared in advance, but I found it worked well, and the light nature of the LotFP rules made that easier. I was again accused of being up to my old tricks as the player-characters butted heads with what they assume to be inbred hill-dwelling cannibals, and I can't really put up much of a defence in this case.

Again, everyone seemed to enjoy the game, although the slow character advancement was a shock to a group more used to Pathfinder; that said, most of their earned experience has been from killing monsters so far, as they've shown an extraordinary aptitude for overlooking loot. We finished the evening with the party deep inside an abandoned silver mine, surrounded by the corpses of hill people and with an ominous moaning coming from further on down the tunnel; I don't know if this cliffhanger will be resolved, as we may well be playing Stuart's conversion of The Shamutanti Hills next week, and I'm looking forward to treading those old paths once again.

Friday 30 December 2011

Christmas in Carcosa

I was aware of the controversy surrounding Geoffrey McKinney's Carcosa as every gaming blog and site seemed to have an opinion of it at the time, but as I've never been much of a D&D player I never read the book itself. I did get involved in a small way when Geoffrey put together a sample adventure for publication in Fight On! and I -- alongside the gloriously-named FuFu Frauenwahl -- provided some art for it.


Geoffrey later published the scenario as a self-contained booklet and the image above ended up on the cover, so I've always felt part of the extended Carcosa family, even if I never read the original book.

Now James Raggi -- publisher of the Lamentations of the Flame Princess role-playing game, Vornheim and Death Frost Doom -- has published a new version of Carcosa, and of course the controversy has shambled back into view, stinking of the grave and bawling "BRAAAINS! through the rotten hole where its mouth used to be. Geoffrey and James are being applauded in some parts of the internet while being characterised as corrupt monsters in others, and so the cycle continues.

Almost none of my work made it into the new book, but that happens with new editions, so I'm fine with it. It helps that Rich Longmore was chosen to provide the art, and I adore his scratchy, detailed style -- I'd love to have a print of his shoggoth illustration -- although I do prefer my version of the Bone Sorcerer. Sorry Rich.

All that said, one of my pieces did make it in, sort of. I drew a picture of an idol of Cthulhu, not one of my favourites, but James decided to keep it as an Easter egg of sorts as an icon on the scenario's map. It's only about five millimetres square and you'd never notice it if it wasn't pointed out, but even so it's apparently enough for James to send me a contributor copy of the book. It's a three-hundred page hardback book, a beautiful thing to behold, and I got it for more or less nothing.

I've not read it yet, but this offensive content everyone's going on about is going to have to be offensive indeed to convince me that Geoffrey McKinney and James Raggi are anything other than a couple of really nice guys.

In somewhat related news, Tatters of the King has continued, and I have continued wrestling with the poor editing and wonky structure of the campaign, although I've managed to shield the players from the worst of it, and they seem to be enjoying the more sandbox-like approach I've taken. They've missed some clues and discovered some that weren't in the original text, and everything is chugging along well, aside from the odd blip with dates and locations.

In the past couple of sessions -- there may be another one tonight -- the investigators headed up to Suffolk to look around a cult ritual site and ran into their first direct encounter with the supernatural as they battled some weird -- and deadly -- creatures. I must applaud them for not using player knowledge to ruin the mystery of what the Things That Should Not Have Been were, as I'm certain that at least a couple of them knew from previous adventures or reading of the core rules; by not attaching a name to the Things it made the encounter all the more effective, at least from my perspective.

The battle was great fun, a chaotic mess of serious wounds, fluffed rolls and Sanity loss. Bringing a battlemat to a Call of Cthulhu game strikes me as far more blasphemous as anything in Carcosa and so we did without, with no serious consequences. A couple of the investigators brought shotguns and started firing them into the mêlée, so I called for Luck rolls from the relevant comrades to see if they were hit; perhaps the statistic should be renamed, as most of the damage caused to the party was self-inflicted. A couple of characters were rendered unconscious by their wounds, and Ben's poor psychologist tried to flee on his knees across the snow while trying to hold his intestines in.

Did I mention that there were five investigators and only two of the Things? I love this game.

The players survived -- and managed to avoid any permanent damage, so I didn't get to use my serious wounds table from the big yellow BRP book -- and now have their eyes on one of the cultists who is holed up in a fortified antiques shop in London. Via a tip-off from an anonymous source they've discovered when their target is going to leave his hiding place and through the use of Sanity-draining magic they've seen what will happen when he does -- creating all sorts of narrative challenges for me -- so they're planning a trap. If we play tonight, we will see how successful they are.

Friday 28 October 2011

Crowns, Kings and Princesses

There was no Yoon-Suin game this week, alas, due to noisms' busy schedule, but all is not lost! Tomorrow my group returns to the Carrion Crown campaign Adventure Path, picking up right after the death of one of our own. I'm not sure how I feel about this campaign Adventure Path, as it seems to have some serious flaws -- I know Paizo's adventures are praised, but they've all seemed a bit choppy to me -- but it's still early days so we'll see how it goes.

I don't know if Ben -- our GM -- is himself dissatisfied with Carrion Crown, if it's a case of gamer ADD springing up, or if it's just because the nights are drawing in and Halloween approaches, but it's been suggested that I run Call of Cthulhu once again. A couple of years ago I ran a short and unsatisfying campaign for the game, an experience that deserves a post mortem on this blog one day, but this time I'm going to try to run Tatters of the King, as it seems to be the only campaign that Stuart and Ben haven't read. It's an interesting piece, with some obvious problems that I suspect won't turn out to be problems at all in play, and a clever structure that should suit our group well. So I'm preparing to run that, although I have no idea when or if I will get the chance; it may come to nothing.

I also bought a boxed role-playing game this week. Not the Pathfinder Beginner Box -- I was tempted, but in the end I didn't see any practical point in owning it -- but instead Lamentations of the Flame Princess Weird Fantasy Role Playing. I've had the free pdfs for a while and I like James Raggi's version of D&D best of all the retroclones -- the game features ascending armour values, a non-fussy elf class and excellent encumbrance and thief skill mechanics -- so I took advantage of the current LotFP sale and some spare PayPal cash to get the boxed set for about six quid. I suspect I will never be able to get my group to play it -- the irony is that it would suit Carrion Crown very well -- but at least I have it now. Well, I don't have it yet, but it's on its way.

Wednesday 27 April 2011

Vornheim: The Complete City Kit

Player: Fluffy the half-golem needs repairs! Where's the nearest alchemist?

GM: Err... [flips through three hundred pages of text] hang on, it's here somewhere...

Player: I'll put the kettle on.

A proper old-school GM cares not one jot for detailed maps of every street of every district of the City of Genericfantasyburg, because the old-school GM will just roll on a random table to discover what's round that corner or behind that door. I don't know him aside from his blog persona, but Zak S. -- it stands for Sabbath or Smith depending on which hat he's wearing that day -- seems to prefer this philosophy of generating random data and trying to sort it out at the table, but with Vornheim he suggests that even random tables aren't quite fun enough.

Vornheim also represents an explicit dissatisfaction with the rpg book as a format, that as game books, they're perhaps a bit too bookish and aren't nearly gamey enough. Zak wants them to be more than just containers for text -- this is reflected, consciously or not, within the city itself, where snakes are the medium of choice -- and as such Vornheim is a thing to be used, a bundle of mechanics and tools, a -- you knew it was coming -- kit that only takes the shape of a book, for lack of a better format.

Imagine I want to generate a city location, so in order to do so, I use the front cover of the book. I adore this. It's the author saying "I don't want the cover to just be the thing you stick the title and a pretty picture on, even if I am an artist; I want you to be able to get an actual use from the cover." The idea is to maximise game utility, because the prettiest painted cover image is of about as much use as a chocolate fire guard if your players want to know what's behind that green copper door.

So, I want to generate the location. I get a d4 and I roll it -- this only works with the pointy types; my fancy twelve-siders just roll right off the book, off the table and into the dark corners of the room, where the spiders dwell -- onto the cover of the book itself.

Vornheim is a city of towers, so let's generate one of those. The 14 to the right of -- and almost obscured by -- the die tells us that the tower has fourteen storeys, and the 2 below the die tells us that the tower has two bridges linking it to other towers. The number rolled, a 1, tells us how many entrances the tower has. This takes about a minute, start to finish, more if you faff about trying to find your dice bag.

It's not just cute and fun -- though it is that too -- as this kind of innovation is also there to make the generation of game data more useful and efficient; the exact same roll gives us a fighter with an Armour Class of 18 or 2 -- depending on D&D version -- of second level, and wielding a sword. The same chart can also generate an animal, monster, thief, wizard, group of city guards, inn, two types of internal room, two types of magical attack, and a poison. There's another very similar chart on the back cover, and the book contains a number of different pages that operate along similar lines.

Not all the material in the book follows the same format. There's some prose description, maps, a couple of keyed map adventures, and more than a few random tables, but these are all infused with the same sense of trying to do more with such tools, to not fall back on what is expected of a city-based rpg sourcebook. This informs and supports the general approach of describing Vornheim through examples, rather than present an encyclopaedia of every street, house and citizen.

That said, the GM is given the tools to generate such elements as and when they are needed, and more importantly perhaps, to make them interesting and dynamic when they do come up; Vornheim rejects the mundane, conventional and boring, and this attitude is apparent on every page. The stated goal of the book is not only to allow a GM to create a city on the fly, but to make it interesting, memorable and fun, and I would argue that it more than succeeds in that task.

It is rather D&D-centric and I don't run D&D, but that's not the fault of the book and it's not as if Zak's blog title doesn't make it very clear what his game of choice is. It's not a huge problem by any means, as the book uses so few actual statistics and rules that it's easy enough to convert to one's chosen system, and besides, my key interest was in how Zak pushed the boundaries of rpg sourcebook presentation, and that's something one can appreciate irrespective of the game system.

The book could have done with another editing pass perhaps, as there are some glitches here and there, such as missing table headers and a couple of cases of repeated and redundant information. In places, there's also some repeated and redundant information. Even so, these glitches are few and none of them have any negative effect on the utility of the book, and that's what counts at the end of the day.

To compare Vornheim to the perennial Best City Book Ever nominee Ptolus is perhaps not fair -- although I sort of just do that, oops -- as they're very different products with very different intentions, and to say that one is better than the other seems a bit pointless. Let it be said then that I prefer Vornheim, even as an infrequent fantasy GM, because it strives to be more useful than exhaustive, and because I admire and support the genuine attempts to do something different within the format of the rpg sourcebook.

Vornheim is a sixty-four page A5ish hardback book, more or less compatible with most versions of D&D -- even the Unmentionable -- and is available from the Lamentations of the Flame Princess shop for 12.50€. It's well worth every whatever-pennies-are-called-in-the-Euro-is-it-cents-I-don't-know.

Tuesday 26 April 2011

Vornheim is Mine!

See?

Written by this chap and published by this fellow, Vornheim: The Complete City Kit is, as the title might suggest, a toolkit for running urban adventures, and over the past few months I have been waiting with considerable and increasing excitement for its release. Not because of its content, although I expect that to be of a high standard, but because of the ways in which that content is conveyed, presented and displayed; this may be one of the most revolutionary rpg products published in years.

A full review will follow, once I've read it cover to cover.

Thursday 26 August 2010

My D&D

I have no plans to run any D&D any time soon, but if I did, there are some tweaks I think I'd include, most of which would alleviate the problems I have with the original game.

One of the things which struck me most about Dragonlance: Fifth Age was the abstract experience system. Instead of totting up points, a player would get a single "Quests" statistic, which would increase by one with every adventure completed; Quests also determined a player's hand size, and since the game had a card-based resolution mechanic, the more experienced a character, the more options they'd have when attempting tasks. The grey area, of course, is in defining an adventure, but that's easy enough to figure out. I'd use something similar in my D&D, which would alleviate a lot of my pedantic gripes with the old system.

I'd use JB's alternate combat system, not because I have any real problems with the existing mechanic, but simply because I like the ideas behind JB's streamlined approach. I'd tweak it to use ascending armour class, because I've never understood the descending type.

I would also borrow the thief skill mechanic from James Raggi's Lamentations of the Flame Princess rpg because it's neat and clever, and not a million miles away from my own thoughts on the matter. I'd probably also use his "only fighters get better at fighting" rule, although I haven't given much thought to how that would gibe with the above combat system.

I quite like the way that Pathinder clerics heal and turn undead using the same power, so I'd use something similar, although I'd consider simplifying it a little. I might also borrow an idea from the Final Fantasy games and have any healing magic cause damage to undead creatures.

There are probably some other minor bits I'd fiddle with (I like the elegance of Swords and Wizardry's single saving throw), but those would be the major rules changes I'd make for my D&D. Would it still be D&D? Well, that's a question for another day.